MONASTERIES In Moldova And Bucovina: Moldavita & Voronet UNESCO treasures | Dr Olga Magdalena-Lazin Andrei's Blog
Dear readers:
Preparing for the ARA Conference at Cal Tech, PASADENA: AMERICAN ROMANIA ACADEMY OF ARTS & SCIENCES.
This is a paper Review done by Olga, a paper presented to ARA, in Los Angeles, California, on Monasteries in Moldova & Bucovina.
Referee’s report on the paper
This paper, "Painted glory - Romanian Monasteries" is a remarkable art work that fills the historical gap left for many decades, brilliant and convincing in promoting Romania’s cultural heritage to the World.The authors, Carmen and Isabelle Sabau are rendering a highly analytic picture in words of the famous Romanian Monasteries built in the XIVth and XVI th Century in Moldovia and Bucovina, on Romanian territories.
The uplifting spiritual experience is translated into colorful frescoes and scenes from the Orthodox iconography on the walls of the monastic complexes. “The Annunciation” church of the former Monastery of Moldovita was built by Petru Rares, and the colors of the frescoes, or exterior mural paintings, are the best preserved of their kind. The sacred is present in every frescoe, the history of creation and “the Fall of man onto sin” are well preserved, , while the “Hymn to the Virgin” and The Siege of Constantinople” are the best are to be best seen in the same location, which is most commonly found in most of Suceava County monasteries. The new walls were fortified during the XVII th Century by Bishop Efrem de Radauti, and defensive walls make it look like a citadel. The authors marvel at the spectacular combination of characters and scenes held in the arms of a huge tree, which is displayed on the south exterior wall-detail of the icon: “The Jesse Tree”. The protection of Constantinople by Mary our Lord’s mother is very telling on the idea of survival of Orthodox Christianity, and Byzantine iconography in Moldova and Bucovina.
This book contributes to the identification, protection and conservation of the cultural and monumental art work throughout the world.
The vivid blue is used often and golden yellow for depicting the patron Saints, especially the St John The New, the patron Saint of Moldavia.
The authors are tackling next the Voronet Monastery, another monumental work, initiated by Stephen The Great in 1488, near Suceava. Part of Romania’s world heritage treasures, is a royal church representing Holy bishops, Stephen the Great and his family, is reveling very skilful paintings in the Byzantine tradition, and the famous “Blue of Voronet” in the background. The church complex consists of the monastery itself, and in the 18th century the villagers fortified and since then had been used as their place of worship. “The Last Judgement” is monumental in its dimensions and use of the blue color, so unique to this place.
Highly descriptive, the authors dwelve on the differences between “believers”, and Turks, or “nonbelievers”, being burnt in fire in an apolcalyptic scene.
These elements of color, Byzantine and South Slavic traditions present in this monasteries testify to the same creed and architectural conception of the Romanian people in all geographical areas.
Excellent paper, I highly recommend it to be accepted for oral/poster presentation and for publication of the Abstract in the Congress program and of the paper in the Proceedings historians and architects.
Dr Olga Lazin, art lover. Superb art work at the Getty Museum. i love MOLDOVITA MONASTERY & VORONET
Learn about the MONASTERIES In Moldova And Bucovina: Moldavita & Voronet | Dr Olga Magdalena-Lazin Andrei's Blog:
'via Blog this'
http://drolgalazinandrei.wordpress.com/2014/06/09/843/
World Heritage Treasure Series, By Dr Olga Andrei
Preparing for the ARA Conference at Cal Tech, PASADENA: AMERICAN ROMANIA ACADEMY OF ARTS & SCIENCES.
This is a paper Review done by Olga, a paper presented to ARA, in Los Angeles, California, on Monasteries in Moldova & Bucovina.
Referee’s report on the paper
Painted glory - Romanian Monasteries,
by Carmen and Isabelle SabauThis paper, "Painted glory - Romanian Monasteries" is a remarkable art work that fills the historical gap left for many decades, brilliant and convincing in promoting Romania’s cultural heritage to the World.The authors, Carmen and Isabelle Sabau are rendering a highly analytic picture in words of the famous Romanian Monasteries built in the XIVth and XVI th Century in Moldovia and Bucovina, on Romanian territories.
The uplifting spiritual experience is translated into colorful frescoes and scenes from the Orthodox iconography on the walls of the monastic complexes. “The Annunciation” church of the former Monastery of Moldovita was built by Petru Rares, and the colors of the frescoes, or exterior mural paintings, are the best preserved of their kind. The sacred is present in every frescoe, the history of creation and “the Fall of man onto sin” are well preserved, , while the “Hymn to the Virgin” and The Siege of Constantinople” are the best are to be best seen in the same location, which is most commonly found in most of Suceava County monasteries. The new walls were fortified during the XVII th Century by Bishop Efrem de Radauti, and defensive walls make it look like a citadel. The authors marvel at the spectacular combination of characters and scenes held in the arms of a huge tree, which is displayed on the south exterior wall-detail of the icon: “The Jesse Tree”. The protection of Constantinople by Mary our Lord’s mother is very telling on the idea of survival of Orthodox Christianity, and Byzantine iconography in Moldova and Bucovina.
This book contributes to the identification, protection and conservation of the cultural and monumental art work throughout the world.
The vivid blue is used often and golden yellow for depicting the patron Saints, especially the St John The New, the patron Saint of Moldavia.
The authors are tackling next the Voronet Monastery, another monumental work, initiated by Stephen The Great in 1488, near Suceava. Part of Romania’s world heritage treasures, is a royal church representing Holy bishops, Stephen the Great and his family, is reveling very skilful paintings in the Byzantine tradition, and the famous “Blue of Voronet” in the background. The church complex consists of the monastery itself, and in the 18th century the villagers fortified and since then had been used as their place of worship. “The Last Judgement” is monumental in its dimensions and use of the blue color, so unique to this place.
Highly descriptive, the authors dwelve on the differences between “believers”, and Turks, or “nonbelievers”, being burnt in fire in an apolcalyptic scene.
These elements of color, Byzantine and South Slavic traditions present in this monasteries testify to the same creed and architectural conception of the Romanian people in all geographical areas.
Excellent paper, I highly recommend it to be accepted for oral/poster presentation and for publication of the Abstract in the Congress program and of the paper in the Proceedings historians and architects.
Dr Olga Lazin, art lover. Superb art work at the Getty Museum. i love MOLDOVITA MONASTERY & VORONET
Learn about the MONASTERIES In Moldova And Bucovina: Moldavita & Voronet | Dr Olga Magdalena-Lazin Andrei's Blog:
Lovely paper: More reading on Painted
glory - Romanian Monasteries is a remarkable art work that fills the historical gap left for many decades,
brilliant and convincing in promoting Romania’s cultural heritage to the World.The
authors, Carmen and Isabelle Sabau are rendering a highly analytic picture in words of the famous Romanian Monasteries built in the XIVth and XVI th Century
in Moldovia and Bucovina, on Romanian territories.
glory - Romanian Monasteries is a remarkable art work that fills the historical gap left for many decades,
brilliant and convincing in promoting Romania’s cultural heritage to the World.The
authors, Carmen and Isabelle Sabau are rendering a highly analytic picture in words of the famous Romanian Monasteries built in the XIVth and XVI th Century
in Moldovia and Bucovina, on Romanian territories.
The uplifting spiritual experience is translated into colorful frescoes and scenes from the Orthodox
iconography on the walls of the monastic complexes. “The Annunciation” church
of the former Monastery of Moldovita was built by Petru Rares, and the colors
of the frescoes, or exterior mural paintings, are the best preserved of their
kind. The sacred is present in every frescoe,
the history of creation and “the Fall of man onto sin” are well preserved, , while the “Hymn to the
Virgin” and The Siege of Constantinople” are the best to be best seen in
the same location, which is most commonly found in most of Suceava County
monasteries. The new walls were fortified during the XVII th Century by Bishop
Efrem de Radauti, and defensive walls make it look like a citadel. The authors
marvel at the spectacular combination of characters and scenes held in the arms
of a huge tree, which is displayed on the south exterior wall-detail of the
icon: “The Jesse Tree”. The protection of Constantinople by Mary our Lord’s
mother is very telling on the idea of survival of Orthodox Christianity, and
Byzantine iconography in Moldova and Bucovina.
iconography on the walls of the monastic complexes. “The Annunciation” church
of the former Monastery of Moldovita was built by Petru Rares, and the colors
of the frescoes, or exterior mural paintings, are the best preserved of their
kind. The sacred is present in every frescoe,
the history of creation and “the Fall of man onto sin” are well preserved, , while the “Hymn to the
Virgin” and The Siege of Constantinople” are the best to be best seen in
the same location, which is most commonly found in most of Suceava County
monasteries. The new walls were fortified during the XVII th Century by Bishop
Efrem de Radauti, and defensive walls make it look like a citadel. The authors
marvel at the spectacular combination of characters and scenes held in the arms
of a huge tree, which is displayed on the south exterior wall-detail of the
icon: “The Jesse Tree”. The protection of Constantinople by Mary our Lord’s
mother is very telling on the idea of survival of Orthodox Christianity, and
Byzantine iconography in Moldova and Bucovina.
This book contributes to the
identification, protection and conservation of the cultural and monumental art
work throughout the world.
identification, protection and conservation of the cultural and monumental art
work throughout the world.
The vivid blue is used often
and golden yellow for depicting the
patron Saints, especially the St John The New, the patron Saint of Moldavia.
and golden yellow for depicting the
patron Saints, especially the St John The New, the patron Saint of Moldavia.
The authors are tackling next
the Voronet Monastery, another monumental work, initiated by Stephen The Great
in 1488, near Suceava. Part of Romania’s world heritage treasures, is a royal
church representing Holy bishops, Stephen the Great and his family, is reveling
very skilful paintings in the Byzantine tradition, and the famous “Blue of
Voronet” in the background. The church complex consists of the monastery
itself, and in the 18th century the villagers fortified and since
then had been used as their place of
worship. “The Last Judgement” is monumental in its dimensions and use of the
blue color, so unique to this place.
the Voronet Monastery, another monumental work, initiated by Stephen The Great
in 1488, near Suceava. Part of Romania’s world heritage treasures, is a royal
church representing Holy bishops, Stephen the Great and his family, is reveling
very skilful paintings in the Byzantine tradition, and the famous “Blue of
Voronet” in the background. The church complex consists of the monastery
itself, and in the 18th century the villagers fortified and since
then had been used as their place of
worship. “The Last Judgement” is monumental in its dimensions and use of the
blue color, so unique to this place.
Highly descriptive, the
authors dwelve on the differences between “believers”, and Turks, or
“nonbelievers”, being burnt in fire in an apolcalyptic scene.
authors dwelve on the differences between “believers”, and Turks, or
“nonbelievers”, being burnt in fire in an apolcalyptic scene.
These elements of colour,
Byzantine and South Slavic traditions present in this monasteries testify to
the same creed and architectural conception of the Romanian people in all geographical areas.
Byzantine and South Slavic traditions present in this monasteries testify to
the same creed and architectural conception of the Romanian people in all geographical areas.
Excellent book, I highly
recommend it to historians and
architects.
recommend it to historians and
architects.
My Blog:
Dr Olga Lazin, art lover. Superb art work at the Getty
Museum. I am in love with the MOLDOVITA MONASTERY & VORONET
Museum. I am in love with the MOLDOVITA MONASTERY & VORONET
'via Blog this'
http://drolgalazinandrei.wordpress.com/2014/06/09/843/
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